To separate the scenes, we used fade in/out transitions to allow a more fluent feel to the film. In this case, we used Continuity editing. We also achieved this by fading in/out the non-diegetic soundtrack to mark key moments and leave space for dialogue.
The non-diegetic soundtrack we created is very descriptive in terms of situation. For example, when the actors were running/walking, the style of the music reflected the situation of hurrying to the teleporter. And there were some parts which were calm and played a slow and quiet tune to reflect the calmness. There were also some diegetic sounds of cartoon noises, such as when Harrison trips up. The comic noises of bouncing gives a humorous effect.
Sometimes, the background noise was hard to control, and the best way we could improve it, was to lower the volume on any scenes that contained unwanted background noises (overhead planes, wind, people talking etc).
The non-diegetic soundtrack we created is very descriptive in terms of situation. For example, when the actors were running/walking, the style of the music reflected the situation of hurrying to the teleporter. And there were some parts which were calm and played a slow and quiet tune to reflect the calmness. There were also some diegetic sounds of cartoon noises, such as when Harrison trips up. The comic noises of bouncing gives a humorous effect.
Sometimes, the background noise was hard to control, and the best way we could improve it, was to lower the volume on any scenes that contained unwanted background noises (overhead planes, wind, people talking etc).
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